Internet Resource:

ABARTIS, Caesarea. "Ugly-Pretty, Dull-Bright, Weak-Strong Girl in the Gothic Mansion." 2239].

ALLEN, Jeanne. "Harlequins, Gothics, and Soap Operas: Addressing Needs and Masking Fears." 1432].

BIRKERTS, Sven. "Gothic Feminism," Mirabella 3:2 (1991): 40-[data] On Rebecca Goldstein's Gothic.

BOWMAN, Barbara. "Victoria Holt's Romances: A Structuralist Inquiry" In The Female Gothic. 1433].

BRAUDE, Anne. "Women Who Run with Werewolves: The Evolution of the Postfeminist Gothic Heroine." NIEKAS 45: Essays on Dark Fantasy. Center Harbor, NH: Niekas Publications, 1998: 103-112. Somewhat tongue-in-cheek exposÉ of the collision of contemporary feminism with traditional Gothicism. The author confesses that she has "struggled through The Monk, The Castle of Otranto, and a Radcliffe for my sins (and for academic credit)." Her conclusion: "In the postfeminist Gothic the supernatural as often as not proves to be fraudulent, except in the case of the psychically gifted heroine and in the case of my main subject, the female occult detective." Lots of Lance and Ace Gothic authors's names are dangled dangerously from this proposition including Mary Stewart, Barbara Michaels, Phyllis Whitney and Victoria Holt.

BURGESS, Anthony. " ' Boo.' " 2239A].

COLLINS, Amy. "Gothic romance," Harper's Bazaar January, 1996: 40.

DANGAARD, Colin. "She's Queen of Sexy Gothic." 1434].

DANIELS, Les. Living in Fear: A History of Horror in the Mass Media. 2240].

DAVIS, Robert Murray. "Gothic Space and the Disintegration of the Hero" In Playing Cowboys: Low Culture and High Art in the Western. Norman, OK; Oklahoma UP, 1992: [data]

DRUCE, Robert. "Pulex Defixus, or, The Spell-bound Flea: An Excursion into Porno Gothic" In Exhibited by Candlelight: Sources and Developments in the Gothic Tradition, Eds. Valeria Tinkler Viviani, Peter Davidson, Jane Stevenson. Amsterdam: Rodopi, 1995: 221-242. On the anonymous porno-classic, The Autiobiography of a Flea. Also develops a theory of porno-Gothic as a form of mental masturbation. "Pornography invites the reader into a world of make-believe where wishes are instantly granted, where power over others is unlimited."

EDMUNDSON, Mark. Nightmare on Main Street: Angels, Sadomasochism, and the Culture of Gothic. Cambridge: Harvard UP, 1997. An astute work of cultural criticism that plays off America's fascination with things Gothic (O.J. Simpson as the double self, talk-show particpants possessed by various addictions) against a counter strain of Forrest Gump-like self re-creation (the Angels of the subtitle), and shows how these two currents reinforce each other. You could, of course, describe this book as 'haunting' but 'thoughtful' is probably a better choice. The New York Times Book Review comments: "Edmundson does a nimble job of situating the current Gothic craze in context with philosophical developments, while at the same time assessing its social consequences." The book is divided into three sections: American Gothic; The World According to Forrest Gump; S & M Culture. The Preface defines the Gothic as "the art of haunting, the art of possession" and further refines the definition of Gothic in its American form as "a culture at large that has become suffused with Gothic assumptions, with Gothic characters and plots." Numerous references to horror films. Has endnotes and index.

FOSTER, Ray. "Chicago Gothic." 1435].

GODDU, Teresa A. "Bloody Daggers and Lonesome Graveyards: The Gothic and Country Music." South Atlantic Quarterly, 94 (1995): 57-80. Folksongs, bluegrass music, and the Gothic.

GRUNENBERG, Christoph, Ed. Gothic: Transmutations of Horror in Late Twentieth Century Art. Cambridge: MIT Press, 1997. Nine essay/chapters and many plates and still shots. "Gothic presents contemporary art that displays a strong pre-millennial fascination with the dark and uncanny side of the human psyche and attempts to locate it within the context of a revival of a Gothic sensibility in many cultures today." (Grunenberg's acknowledgments) The nine chapters are: "Unsolved Mysteries: Gothic Tales from Frankenstein to The Hair Eating Doll" by Christoph Grunenberg; "Transgression and Decay" by Patrick McGrath; "Edifying Narratives: The Gothic Novel, 1764-1997" by Anne Williams; "Bela Lugosi's Dead and I Don't Feel So Good Either: Goth and the Glorification of Suffering in Rock Music" by James Hannaham; "'Like Cancer in the System': Industrial Gothic, Nine Inch Nails, and Videotape" by Csaba Toth; "Curtains" by Dennis Cooper; "Shivers" by Shawn Rosenheim; "An Inconsolable Darkness: The Reappearance and Redefinition of Gothic in Contemporary Cinema" by John Gianvito; "Reflections on the Grotesque" by Joyce Carol Oates. To the dismay of orthodox bibliographers, the page numbers are in backward sequence beginning with page 218. Strange system but probably acceptable in the Gothic universe.

HANTKE, Steffen. "Deconstructing Horror: Commodities in the Fiction of Jonathan Carroll and Kathe Koja." Journal of American Culture 18:3 (1995): 41-57.

HARDACK, Richard. "From Southern Gothic to Postmodern Anonymity: R. E. M. and the Globalization of American Popular Music." Journal-x: A Journal in Culture and Criticism 3:1 (1998): 79-110.

HINDS, Elizabeth Jane Wall. "The Devil Sings the Blues: Heavy Metal, Gothic Fiction, and Post-Modern Discourse." 1436].

JENNINGS, Gary. "Heathcliff Doesn't Smoke L&Ms." 2243].

JONES, Robert. The Shudder Pulps. 2244].

KAKUTANI, Michiko. "Why Do Americans Gorge on Gothic?" New York Times 14 November 1997: B50. Review of Mark Edmundson's Nightmare on Main Street: Angels, Sadomasochism, and the Culture of Gothic.

LANGDON, Dolly. "Have You Read a Best-Selling Gothic Lately? Chances Are it was by V. C. Andrews." 1437].

LEDWON, Lenora. "Twin Peaks and the Television Gothic." 1438].

MAIO, Kathleen L. "Had-I-But-Known: The Marriage of Gothic Terror and Detection" In The Female Gothic. 1440].

MARIUS, Richard C. "Goodbye to Gothic: On Finding Oneself in the Camp of the Enemy." Soundings 79:1-2 (1996): 79-93.

MODLESKI, Tania. "Popular Feminine Narratives: A Study of Romances, Gothics, and Soap Operas." 2246].

________. Loving With a Vengeance: Mass Produced Fantasies for Women. 1441].

MOSS, Anita. "Gothic and Grotesque Effects in Virginia Hamilton's Fiction," The ALAN Review 19:2 (1992): 16-[data]

MUSSELL, Kay Johnson. "The World of Modern Golthic Fiction: American Women and their Social Myths." 2247].

________. "Beautiful and the Damned: The Sexual Women in Gothic Fiction." 2248].

________. "Gothic Novels" In Handbook of American Popular Culture. 2249].

________. " ' But Why Do The Read Those Things?' The Female Audience and the Gothic Novel" In The Female Gothic. 1442].

________. Fantasy and Reconciliation: Contemporary Formulas of Women's Romance Fiction. 1443].

NICHOLS, Lewis. "The Gothic Story." 2250].

OLIVARES-MERINO, Julio Angel. "Once Upon the Sleeping Canon: Literary Lustre in Cradle of Filth's Wintry Romances." Journal of Dracula Studies 3 (2001): 20-26. Heavy metal.

PACE, Eric. "Gothic Novels Prove Bonanza for Publishers." 2251].

________. "Pulp Feminists: Gothic Liberation." 2252].

RADWAY, Janice A. "The Utopian Impulse in Popular Literature: Gothic Romances and ' Feminist ' Protest." 2253].

________. "The Aesthetic in Mass Culture: Reading the ' Popular ' Literary Text" In The Structure of the Literary Process: Studies Dedicated to the Memory of Felix Vodicka. 1445].

RUGGIERO, Josephine & Louise C. WESTON. "Sex-Role Characterization of Women in 'Modern Gothic' Novels." Pacific Sociological Review 20 (1977): 292-300.

RUSS, Joanna. "Somebody's Trying to Kill me and I Think it's my Husband: The Modern Gothic." 2254].

SMITH, R. M. "Valerie Martin's Re-Visionary Gothic." 1447].

TOTH, Csaba. "'Like Cancer in the System': Industrial Gothic, Nine Inch Nails, and Video Tape" In Gothic: Transmutations of Horror in Late Twentieth Century Art. Cambridge, MA: MIT Press, 1997: 90-80. [inverse page #s ok, q.v. GRUNENBERG]

UNSIGNED. "Books--Forbidden and Gothic." Vogue 1 September 1992: 380-[data]. On a "stunning first novel" by Donna Tartt. "Strange sex, murder, and a Dionysian spirit pervade" this Gothic.

________. "Heathcliffs, Cliff-Hangers." 2242].

WHITNEY, Phyllis. "Gothic Mysteries" In The Mystery Story. 1448].

WILSON, William. "Riding the Crest of the Horror Craze." 2259].

KIESSLING, Nicholas J. "Demonic Dread: The Incubus Figure in British Literature" In The Gothic Imagination: Essays in Dark Romanticism. 2261].

LEE, Grace Farrell. "The Grotesque: A Demonic Tradition." 2262].

RUDWIN, Maximilian. The Devil in Legend and Literature. 2263].

ANDERSON, George K. "The Wandering Jew Returns to England." 2302].

________. "The Neoclassical Chronicle of the Wandering Jew." 2302A].

________. The Legend of the Wandering Jew. 2303].

ANDREWS, S. G. "The Wandering Jew and The Travels and Adventures of James Massey. 2304].

BRIGGS, Katherine M. "The Legends of Lilith and the Wandering Jew in Nineteenth Century Literature. 2305].

FULMER, Oliver B. "The Wandering Jew in English Romantic Poetry." 2307].

________. "The Ancient Mariner and the Wandering Jew." 2308].

GAER, Joseph. The Legend of the Wandering Jew. 2309].

KILLEN, A. M. "L'Évolution de la lÉgende du juif errant." 2311].

ST. ARMAND, Barton Levi. "Harvey Birch as the Wandering Jew: Literary Calvinism in James Fenimore Cooper's The Spy." 2313].

TAKAHASHI, Norikane. "The Wandering Jew densetsu to romanha no shi." 1492].

ZIRUS, Werner. Der Ewige jude in der dichtung vornehmlich in der englischen und deutschen. 2315].

DARNTON, Robert. Mesmerism and the End of the Enlightenment in France. 2374].

ELSWORTHY, Frederick T. The Evil Eye. 2375].

KAPLAN, Fred. Dickens and Mesmerism: The Hidden Springs of Fiction. 2377].

FARRAG, Aida. "Zola, Dickens, and Spontaneous Combustion." 2382].

FERGUSON, J. Delancey. "Death by Spontaneous Combustion." 2382A].

PERKINS, George. "Death by Spontaneous Combustion in Marryat, Melville, Dickens, Zola, and Others." 2383].

WILEY, Elizabeth. "Four Strange Cases." 2384].

BROSE, Patricia B. D. "A Analysis of the Functioning of Gothic Themes in the Folklore and Writing of Children in the Second and the Fifth Grades." 2387].

COLE, Alonzo Deen, Ed.. The Witch's Tale: Stories of Gothic Horror from the Golden Age of Radio.Yorktown Heights, NY: Dunwich Press, 1998. American horror and radio plays.

GARDNER, Elizabeth. "The Gothic novel: Horace Walpole, The Castle of Otranto, Jane Austen, Northanger Abbey, Henry James, The Turn of the Screw. Willoughby, New South Wales, Australia: Deed Publishing, 1993. High School Casebook.

HENNELLY, Mark M. "Framing the Gothic: From Pillar to Post-Structuralism." College Literature 28:3 (2001): 68-99. Reflections on 25 years of teaching Gothic fiction and the author's changing "pedagogical strategies." The article is also an excellent guide to significant shifts in the critical assessment of the Gothic. Covers trends in feminist perspectives on the Gothic and the hegemony of Bakhtin, Derrida, and Lacan in critical circles. Among the leitmotifs that have worked well in the classroom are such themes as "fear of vivisection," "different versions of the Gothic gaze," deadly gardens that grow evil things, and the primacy of architectural spaces in manifold forms of the Gothic. "Architectural spacing or ' writing ' materially embodies Gothicism's semiotic script." Teaching the Gothic has convinced Hennelly that "we must finally remind our students that there is really no sense in either demonizing or domesticating the Gothic. The inner and outer spaces of its architecture teach that it always already does such things to itself, just as it always already does them to us."

HORSTEAD, Noni. "In the Gothic Twilight," The Teaching of English 3 (1993): 27-[data]

JORDAN, Anne Devereaux. "The Secret Garden: A Literary Journey," Teaching and Learning Literature 8:1 (1998): 32-41.

RODABAUGH, Wendy L. "Teaching Gothic Literature in the Junior High Classroom." English Journal 85:3 (1996): 68-[data]

RUTHERFORD, S. "The Castle of Otranto," The Teaching of English 3 (1993): 38-[data]

SHARP, Reggie. The Gothic Novel. Leeds, UK: Paragon Press, 1999. Since the 48 page pamplet is part of a series titled "Paragon Summaries Medium," appears to be plot synopses of various Gothics boiled down for lazy or harried undergraduates.

UNSIGNED. Aspects of Jane Eyre. London: BBC Educational Publishing, 1998. A 71 minute videocassette narrated by Libby Fawbert. Covers the background of Charlotte BrontË, education, religion, Jane Eyre as a Gothic novel, feminist approaches to the characters of Jane Eyre and Mr. Rochester and romantic love. Includes clips from three BBC dramatizations of Jane Eyre and reading of selected passages by Miriam Margolyes.

Ê________. Birth of a Gothic Novel. Woodbridge, CT: Research Publications, an imprint of Primary Source Media, 1996. Title and imprint from microfilms and microfilm boxes; pub.date from printed index to collection."The Eighteenth Century, Research Publications." List of titles appears at start of each reel. Publisher's reel boxes numbered separately according to each author's set of works (i.e., 1-3, 1-2, 1-4, 1-2, 1-7). Contents: William Beckford (14 titles on reels 1-3); Mathew Gregory Lewis 16 titles on reels 4-5); Ann Radcliffe (15 titles on reels 6-9); Clara Reeve (11 titles on reels 10-11); Horace Walpole (42 titles on reels 12-18). The Collection consists of 98 works by 5 English authors (including correspondence), filmed from the original works and letters held by several different libraries in England.Ê

VARMA, Devendra P. "Terror and the Gothic Novel." Toronto: CBC Learning Systems, Canadian Broadcasting Corporation, 1970; 1979. Recording, one 30 minute sound cassette. Devendra Varma discusses some of the more notable features of the Gothic novel which epitomizes the inner battle between good and evil.

WOOLASTON, Elizabeth. "Gothic Fiction," The Teaching of English 1 (1993): pp. 4-[data]ÊÊ

BLASINGAME, Wyatt. "Plotting and Writing the Terror Story." 2228].

HOWATCH, Susan. "Realism in Modern Gothics." 2229].

KENNEDY, Mopsy Strange. "How to Write a Gothic Novel." 2230].

LEE, Elsie. "When You Write a Gothic." 2231].

PETERS, Elizabeth. "Modern Gothics . . . The Willing Suspension of Disbelief." 2232].

________. "Character and Humor in the Gothics." 2233].

ROBERTS, Janet Louise. "Writing and Selling the Gothic Novel." 2234].

ROGAN, Helen. "How to Write a Gothic Novel." 2235].

TOOKER, Richard. "Writing the Terror Story." 2237].

WHITNEY, Phyllis. "Writing the Gothic Novel." 2238].

ALLEN, Virginia M. "Romantic Ballad and Gothic Plot" In The Femme Fatale: Erotic Icon. 1464].

BLASDELL, Heather L. "And There Shall the Lilith Repose." 1465].

BREITLINGER, Eckhard. Der Tod im englischen roman um 1800. 2386].

BRIDGSTOCK, Martin. "The Twilit Fringe--Anthropology and Modern Horror Fiction." 1466].

BRIGGS, Julia. "The Ghost Story" In A Companion to the Gothic, ed. David Punter. Oxford, UK & Malden, MA: Blackwell Publishers, 2000: 122-131. The author of Night Visitors condenses the many insights of that book into an essay in the history and definition of the ghost story, "the most characteristic form taken by the Gothic from, perhaps, 1830 to 1930." Citing narrative evidence from E. T. A. Hoffmann, Poe, Potocki, Dickens, Collins, Gaskell, M. R. James, Walter de la Mare, Wharton, Kipling and others, points out that "the ghost story often takes place in a very mundane and often urban context"; that for women, "the writing of ghost stories may have further reflected, if only vicariously, a concern to reclaim a little of the power and freedom that circumstances denied them"; that the ghost story, "with its many symbolisms of a world within us, beyond us or looming out of the past to our destruction, continues to be a potent and living literary form, offering its readers a serious and even a self-relexive message as well as the thrill of fear."

BUSSING, Sabine. Aliens in the Home: The Child in Horror Fiction. 1468].

BYRD, Max. "The Madhouse, the Whorehouse, and the Convent." 1469].

CARNOCHAN, W. B. Confinement and Flight: An Essay on English Literature of the Eighteenth Century. 1470].

CHAPMAN, Alison. "Size Matters: Phreno-Magnetism and Gothic Anthropology," Gothic Studies 2:3 (2000): 328-345. A short history of phrenology and its "scientific" texts in the the Victorian age. E. Odell Stackpool's Heads and How to Read Them: A Popular Guide to Phrenology and W. C. Engledue's Cerebral Physiology and Materialism and the phrenological divisions of the cranium as determined by Franz Joseph Gall were part of a "new technology of subjectivity that turns the inside out, [and] makes materialism Gothic."

CLAYBOROUGH, Arthur. The Grotesque in English Literature. 2388].

DALKE, Anne. "Original Vice: The Political Implications of Incest in the Early American Novel." 1472].

DAVIS, David Brion. Homicide in American Fiction: A Study in Social Values. 2390].

DIEDERICHS, Benno. Von Gespenster geschichten, Ihre technik und ihre literatur. 2393].

DUPERRAY, Max. "IdÉologie et irrÉel littÉrature." 1473].

FIEDLER, Leslie. Freaks: Myths and Images of the Secret Self. 2394].

FINAN, Eileen T. "The Fatal Embrace: Incest and the Romantic Self." 1474].

GADWAY, John F. "The Castle in the Bildungsroman." {GGI: 2395].

GAUNT, William. Bandits in a Landscape: A Study of Romantic Painting from Caravaggio to Delacroix. 2396].

GEORGE, J. -A. "From King Arthur to Sidonia the Sorceress: The Dual Nature of Pre-Raphaelite Mediaevalism" In Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century. Basingstoke: Palgrave, 2000: 90-108.

GOODRICH, Norma L. "Gothic Castles in Surrealist Fiction." 2397].

GRANT, Marcus. Horror: A Modern Myth. 2398].

GRUDIN, Peter D. The Demon Lover: The Theme of Demoniality in English and Continental Fiction of the Late Eighteenth and Early Nineteenth Centuries. 1475].

HAINING, Peter. Terror! A History of Horror Illustrations from the Pulp Magazines. 2399].

HALLIE, Philip P. Horror and the Paradox of Cruelty. 2400].

HAYCRAFT, Howard. Murder for Pleasure: The Life and Times of the Detective Story. 2402].

HAYS, Peter. The Limping Hero: Grotesques in Literature. 2403].

HERMANSSON, Casie Elizabeth. "Feminist Intertexuality and the Bluebeard Story." Dissertation Abstracts International 60:1 (1998): 139A (University of Toronto). "The Bluebeard story metafictively illustrates two types of intertextuality: monologic (Bluebeard's plot) and dialogic (the heroine's plot revision). Close readings organized around the concepts of presupposition as a textual haunting." Works analyzed include William Godwin's Caleb Williams, Jane Austen's Northanger Abbey, Angela Carter's The Magic Toyshop and Nights at the Circus, and Gloria Naylor's Linden Hills.

HOPKINS, Lisa. Hopkins, Lisa.Ê"Introduction: Monstrosity and Anthropology," Gothic Studies 2:3 (2000): 267-273.

JEROME, Joseph. [Father Brocard SEWELL]. Montague Summers: A Memoir. 2404].

KENDRICK, Walter. The Thrill of Fear: 250 Years of Scary Entertainment. 1477].

KERR, Howard. " ' Ghosts and Ghost Seeing ': Spiritualism in American Occult Fiction" In Mediums and Spirit-Rappers, and Roaring Radicals: Spiritualism in American Literature, 1850-1900. 2408].

LEIBER, Fritz. "The Changing Faces of Horror." 1478].

LIGOTTI, Tom. "The Consolations of Horror." 1479].

MADOFF, Mark. "The Secret Chief of Conspiracies." 1480].

MARSHALL, Roderick. Italy in English Literature, 1755-1815: Origins of the Romance Interest in Italy. 2410].

MASTERS, R. E. L. Perverse Crimes in History: Evolving Concepts of Sadism, Lust-Murder, and Necrophilia--From Ancient to Modern Times, including a historical survey of sexual savagery in the East. 2411].

METCALFE, Robin. "Dr. Varma and Mr. Hyde." 1481].

MÖBIUS, Hans. Der Englischen rosenkreuzer romane und ihr vorlÄufer: Eine Studie die entwicklung der phantastische romantischen erzÄhlungsart in England wÄhrend des 18. und 19. jahrhunderts. 2415].

NOSKE, Frits. "Sound and Sentiment: The Function of Music in the Gothic Novel." 2416].

PALMER, Jerry. Thrillers: Genesis and Structure of a Popular Genre. 2417].

PATERNA, Wilhelm. Das Übersinnliche im englischen roman (von Horace Walpole bis Walter Scott). 2418].

PUNTER, David. "Fictional Representation of the Law in the Eighteenth Century." 1483].

RABKIN, Eric S. "The Fantastic and Literary History" In The Fantastic in Literature. 2420].

RABURN, Josephine. "Shuddering Shades! A Ghostly Booklist." 1484].

RAWCLIFFE, D. H. Illusions and Delusions of the Supernatural and the Occult: The Psychology of the Occult. 2421].

REED, Toni. "The Projection of Evil: An Analysis of Nineteenth and Twentieth-Century British Fiction Influenced by ' The Demon Lover ' Ballad." 1485].

RICHARDSON, Maurice. "The Psychoanalyis of Ghost Stories." 2422].

ROTTENSTEINER, Franz. The Fantasy Book: The Ghostly, the Gothic, the Magical, the Unreal. 2423].

SAURAT, Denis. Literature and Occult Tradition: Studies in Philosophical Poetry. 2424].

SCOTT, George Ryley. The History of Torture Throughout the Ages. 2425].

SCOTT, Sutherland. Blood in their Ink: The March of the Modern Mystery Novel. 2224].

SENELECK, Laurence. The Presence of Evil: The Murderer as Romantic Hero from Sade to Lacenaire. 1487].

SEWELL, Brocard. "The Reverend Montague Summers." 1488].

SHUMAKER, Wayne. Literature and the Irrational: A Study in Anthropological Backgrounds. 2427].

SMITH, Andrew. "Pathologising the Gothic: The Elephant Man, the Neurotic, and the Doctor." Gothic Studies 2:3 (2000): 292-304.

SPENCE, Lewis. An Enclopaedia of Occultism. 2428].

STACHOWNA, Grfazyna. "Lzy andy'ego placek z wisniami i Laura Palmer." 1490].

STADE, George. "Thrillers." 2429].

STEWART, Susan. "The Epistemology of the Horror Story." 1491].

STOTT, Rebecca. "Through a Glass Darkly: Aquarium Colonies and Nineteenth-Century Narratives of Marine Monstrosity." Gothic Studies 2:3 (2000): 305-327.

SULLIVAN, T. R. The Ghost in Fiction. 2430].

THORSLEV, Peter. "Incest as Romantic Symbol." 2433].

THÜRNAU, C. Geister in englischen literatur des 18. jahrhunderts. 2434].

TODOROV, Tzvetan. "The Uncanny and the Marvelous" In The Fantastic: A Structural Approach to a Literary Genre. 2435].

TOUMEY, C. P. "The Moral Character of Mad Scientists: A Cultural Critique of Science." 1493].

TROPP, Martin. Images of Fear: How Horror Stories Helped Shape Modern Culture (1818-1918). 1494].

TROUSSON, Raymond. Le Theme de Prométhée dans la littérature européene. 2436]

TWITCHELL, James B. Dreadful Pleasures: An Anatomy of Modern Horror. 1495].

UTTER, Robert Palfrey & Gwendolyn Bridges NEEDHAM. Pamela's Daughters. 2437].

VARMA, Devendra P. "Montague Summers: A Gothic Tribute." 1496].

WEBB, James. The Occult Underground. 2438].

WEIHOFEN, Henry. The Urge to Punish. 2439].

WHITMORE, Charles Edward. The Supernatural in Tragedy. 2441].

WILLIER, S. A. "Madness, the Gothic, and Bellini's Il Pirati." 1497].

WILSON, Colin. Strength to Dream: Literature and the Imagination. 2442].

WINTER, Douglas E. Faces of Fear: Encounters with the Creators of Modern Horror. 1498].

WOOD, Chris. "Close Up: Devendra Varma, a Connoisseur of Horror." 1499].